David Schwindt Artworks Gallery
Oil, Canvas, 20 x 16. Caprock Canyons State Park in the panhandle of Texas is another unique geological area that I love to paint. Similar to Palo Duro Canyon, a refuge for the Comanche during the so called "Indian Wars…
Oil, Panel, 18 x 12. We used to hike in the Ojito Wilderness before it was designated as wilderness. It was one of my favorite places to escape the noise of the city. It still is a favorite, and I discover new areas and…
Oil, Canvas, 12 x 24. We met up with extended family at Lewisville Lake in the Dallas area over Thanksgiving a few years ago, and I was intrigued by the evening light reflecting in the water. I liked the way the winter…
giclee, Canvas, 18 x 22 x 2. This giclee print on gallery wrapped canvas is framed in a floater frame with dimensions of 18 x 22 by 2 inches deep. The subject is an old juniper on Mount Bonnell with the Pennybacker Brid…
Acrylic, Panel, 10 x 8. This painting is derived from studies I did years ago. I have revisited the area and found things similar yet different, and I want to continue working with the ideas. I am offering it as a Print…
Oil, Linen, 24 x 30. I painted this in 2006 for my show at Framing Concepts, "On the Road Again." Recently I was given an elaborate frame and tried it out with this painting in it. It was the first time that I lived wit…
Acrylic, Canvas, 36 x 42 x 3/4. This is my largest in the series of stained canvases and my last so far. By this time I had an idea of how much paint it would take and used larger brushes and larger containers to pour t…
Acrylic, Panel, 9 x 12
Oil, Linen, 24 x 30 x 2. Gallery Wrap, painted from photos and the field study ("Pond Reflections") done on location at Berry Springs Park in Georgetown, TX. It's always an experiment, making an image larger, exploring…
Oil, Linen, 24 x 24. This is painted from two watercolor sketches and the memory of shifting light patterns as I painted. I tried taking photos of the light as I formed my concept, but the clouds were drifting faster th…
Acrylic, Canvas, 24 x 30 x 1.25. I began this canvas with random stains on raw canvas. As with the others, I just played with the contrasts of primary colors and tried to create interesting textures. The difference betw…
Oil, Canvas, 24 x 36. Clouds are a favorite subject of mine, and I watched these form as I painted at Cypress Creek Park on Lake Travis. I like to sketch in watercolor as I can capture a subject quickly. However, nothin…
Oil, Linen panel, 8 x 10. Every time I paint the Sandia mountains near Albuquerque, NM the light is different, even if I go back the same time another day. I really liked the feeling of a crisp spring morning in this pa…
Acrylic, Canvas, 28 x 25 x 1.5. This image is experimental in nature and was my first attempt on a larger scale. The basic idea is to stain raw canvas with pure colors diluted with water . I started with yellow and red,…
Oil, Linen panel, 20 x 24. While painting a quick watercolor study of the clouds at sunrise, I watched the shape of the clouds change as the sun gradually illuminated the undersides, creating rim lights at the bottoms.…
Oil, Linen panel, 8 x 10. This is the upper falls at McKinney Falls State Park near Austin, TX. It was painted on location in April with minor adjustments in the studio. The water level was low, as we were in the middle…
Gouache, Paper, 6 x 8. The subject is Buttercup Creek as it forms a lake in the newly developed Lakeline Park in Cedar Park, TX. This study for a larger painting is available only as print on demand. Price varies accord…
Oil, Linen panel, 12 x 16. Spring Runoff had turned the river red, and I laid in a heavy wash of burnt sienna which seemed to capture the color as well as the sediment. It was painted on location in Corrales, NM on the…
Acrylic, Canvas panel, 24 x 20 x 1.65. This is another image in my experimental series of stained canvases. The basic idea is to stain raw canvas with pure colors diluted with water . I start with the three primaries pl…
Oil, Panel, 14 x 18. I started this on location in the upper peninsula of Michigan in a watercolor sketchbook. When we got home I experimented with smaller images and various media, focusing on closeups of the falls. Wh…
Oil, 14 x 18. This is one of my favorite spots in the Jemez Mountains of New Mexico along the East Fork of the Jemez River. The yellow foreground represents dandelions and the burst of spring. It's easily visible from t…
Acrylic, Canvas, 22 x 16 x 1 3/8. I pushed the limits on this canvas, staining in layers until the canvas expanded rather than shrinking as expected. The only way I saved it was to paint out my beautiful stains with acr…
Oil, Linen panel, 12 x 16
Acrylic, 30 x 40. I love the color of water. "What color is it," you say? It depends on where you are when you're looking, but it's mostly the color of sky. It's a clear liquid like the sky is clear air, we might hope.…
Acrylic, Canvas, 24 x 18 x 1 3/8. This image is experimental in nature. The basic idea is to stain raw canvas with pure colors diluted with water . I start with the three primaries plus phthalo green, and then pour them…
Oil, Linen panel, 11 x 14. I painted this as soon as I got back to the studio after painting a quick watercolor study from life as the sun came up. The clouds were building beautiful shapes, even as I drove to the site,…
Oil, 30 x 30. I painted this before the fires on the Bosque and extra growth and erosion along the river. I have painted here recently, and the view has changed considerably. The small island is overgrown and one can on…
Oil, Panel, 16 x 12. This cloud is typical of the storms we see during the summer. Sometimes they give us violent rain, and other times they simply give us spectacular beauty, holding their shape as the sun goes down.
Acrylic, Canvas panel, 10 x 8 x 7/8. This small image is a segment of my first experiments with staining raw canvas. The basic idea is to stain raw canvas with pure colors diluted with water . I start with the three pri…
12 x 16
Oil, Canvas, 30 x 40. This is the largest painting I've painted on location. I spent several days on site at the river's edge selecting and editing shapes and colors. I finished it in the studio where I was no longer di…
giclee. Sandia Showers, 24 x 40 giclee on canvas, limited signed edition of 40, $750 unframed. Sandia Showers, 18 x 30 giclee on canvas, limited signed edition of 50, $450 unframed. Sandia Showers, 9 x 15 giclee on pape…
Acrylic, Canvas panel, 10 x 8 x 7/8. This small image is a segment of my first experiments with staining raw canvas. I started with the three primaries plus phthalo green, and then poured them on the raw canvas, moved t…
Oil, Panel, 12 x 12
Oil, Linen panel, 8 x 10
giclee, Canvas, 30 x 40. Isis Temple, 30 x 40 giclee on canvas, limited signed edition of 25, $875 unframedIsis Temple, 18 x 24 giclee on canvas, limited signed edition of 50, $375 unframedIsis Temple, 8 x 10 giclee on…
Oil, Panel, 18 x 24
Oil, Linen panel, 12 x 16
Acrylic, Panel, 24 x 18. I love playing with color and making color charts. This painting is influenced by some of Paul Klee's work and the many color charts I have painted as well as the wildflowers we see in Texas. I…
giclee. Marble Canyon Majesty, 40 x 40 giclee on canvas, limited signed edition of 25, $1200 unframed. Marble Canyon Majesty, 32 x 32 giclee on canvas, limited signed edition of 50, $850 unframed. Marble Canyon Majesty,…
Oil, Canvas, 16 x 20. There are many of these great stands of giant cactus in Catalina State Park north of Tucson where I found these on a hike some distance from the parking area. I carry a small painting box to captur…
Oil, Linen panel, 11 x 14. Many of my works are interpretations of watercolor sketches that I have done on location. In this case, we were camped at Gilbert Ray Campground in the Tucson Mountains west of Tucson, Arizona…
Acrylic, Canvas, 24 x 18. I started this painting with splashes of color and gradually formed them into more solid shapes reminiscent of the color charts that I love to make. I drew inspiration from Paul Klee as well as…
Oil, linen, 30 x 40. Mount Bonnell, at 780 feet above sea level, is a high point in Austin, TX, overlooking the city and the Colorado River, now Lake Austin. It has been a tourist destination since 1859. I was drawn to…
Oil, 20 x 24
Oil, Linen panel, 12 x 9
Oil, Linen panel, 11 x 14. This is a reinterpretation of a plein air painting that I did in 2005. I think it was a decent painting, as literal as I could make it at the time, but when I looked at it recently I felt that…
Oil, Panel, 30 x 20
Oil, Linen panel, 16 x 20
Oil, Panel, 11 x 14. Poppies and Lupine were abundant this year, and since this doesn't happen every year in the desert, I felt obliged to go out and paint. I worked this up from a watercolor sketch done on location in…
Oil, Linen, 18 x 14. This light lasted only moments as I painted on site with watercolors. One minute it was all in shadow. The next minute parts were lit up like a stage setting. Shadows drifted in and out, as did the…
Oil, Linen panel, 16 x 12. I couldn't resist the complementary colors in this Galway Medieval Street scene! Traces of sunlight rake across the wall, catching a few roses and creating contrast in the bright green storefr…
Oil, Linen panel, 12 x 16. This creek doesn't flow all year long, so when it does, I love to explore the light and reflections on water. The limestone bank is typical of creeks in this area of Texas, and there is a wond…
Oil, Panel, 12 x 9. I love being in the aspen at any time of year, but summer is special when grasses are green and wildflowers pop up at their bases. This painting makes me feel cool on a hot summer day.
oil and cold wax, Panel, 20 x 16. This is an experimental painting using cold wax medium applied with a palette knife. The price is for the unframed painting, 7/8 inch deep on a cradled panel, however it would look quit…
Oil, Linen panel, 9 x 12
Oil, 8 x 10
Oil, Canvas, 14 x 18. Afternoon light reflects into the same rock pinacle that was obsured in shadows in the Sliding House Ruins Overlook painting.
Oil, Panel, 20 x 16. This is an experimental painting using cold wax medium applied with a palette knife and print brayer. The painting is unframed, 7/8 inch deep on a cradled panel. The subject is based on a view overl…
Oil, Panel, 18 x 24. My initial interest in going down to paint this creek was to explore the surface reflections while at the same time exploring the transparency of water and the objects I saw at the bottom. The dappl…
Oil, 20 x 30. Boquillas Canyon is where the Rio Grande leaves the main part of Big Bend National Park to continue it's flow to the Gulf of Mexico. I hiked a short distance from the parking lot with my watercolors for a…
Oil, Canvas panel, 14 x 11. I chose this subject so I could play with textural effects of light by using cold wax medium and a palette knife. It's based on a photo of a hillside on the north rim of the Grand Canyon. I h…
Oil, 11 x 14
Oil, 20 x 24. When I painted the field study for this one, all of the clouds were building up behind me. The cloud shadows gave my subject more depth, but the sky was blue above the cliffs as high as I could see without…
oil and cold wax, Linen panel, 9 x 12. This is painted in layers, adding cold wax medium to my oils and using a palette knife for most of the application. Some randomness is built in, using a brayer to roll light glazes…
Oil, 18 x 24. This area has been a favorite place to explore since my early childhood. I never tire of the layers of colors in the sandstone cliffs of the Southwest.
Oil, Panel, 18 x 24. I painted a smaller study on location a year ago February, but only focused on a portion of the falls. After my last painting of reflections on a creek surface, I looked through my reference paintin…
Acrylic, 9 x 12. I’ve made three trips out to this area to explore. I determined right away that I wanted to sit on the ground for more of an ant’s eye view. I took pictures from a few inches off the ground, but to pain…
Oil, Linen panel, 9 x 12
Oil, Panel, 9 x 12
Oil, Canvas, 16 x 20. Malgosa Crest is a landmark formation seen from the Colorado River in Grand Canyon National Park. I painted studies during a rafting trip down the river with 15 other artists. The Crest is the form…
Oil, Linen panel, 11 x 14
Oil, linen, 12 x 16. It's a rare day in Texas when we get snow. I have fond memories of snow, growing up in Colorado, but living in southern Arizona, and now Texas, I don't often get the chance to paint it from life. Wh…
Oil, Canvas, 18 x 24. I paint from life whenever possible, usually smaller works from 6x8 to 12x16. While I'm painting I have my camera ready for moments like this when wildlife enters my space as if I were only another…
Oil, linen, 12 x 16. It's a rare day that it snows in Texas. None of us really expected that it would come down long enough to build up enough for a snowman, but there it was, and all the kids, and adults who felt like…
Oil, Canvas, 20 x 30. I went out to Algodones to paint the color of the cottonwoods when a neighbor decided to move his horses. I couldn't resist the accent notes of horses and rancher, each note different in tone and h…
Acrylic, Canvas, 20 x 10. Bryce Canyon is unique in many ways. One way that impressed me the first time I explored it was the reflected light that made the sandstone colors glow. This is especially noticeable when one w…
Oil, Panel, 14 x 11. I'm calling this "Red Sun," like I've always called the sandstone in the West "red," even though it's really a red orange on the color spectrum. The colors I used were "earth reds" and a touch of ca…
Oil, Panel, 8 x 10. Painted on location in Waco, Texas. this area has been made popular by a young couple with a national TV show. You will probably recognize it if you've seen the show or been to Waco.
Oil, 9 x 12
Acrylic, Canvas, 20 x 10. Bryce Canyon is unique in many ways. One way that impressed me the first time I explored it was the reflected light that made the sandstone colors glow. This is especially noticeable when one w…
Oil, Linen panel, 12 x 16. It's always different. We saw some beautiful skies, but this time they played second fiddle to the water patterns and the marsh grasses.
Oil, 9 x 12
Oil, Linen panel, 8 x 10
Oil, Canvas, 30 x 40. It's a relatively easy hike through the sandstone cliffs and canyons of Zion to get to this overlook. We parked by the tunnel and hiked over the top. It's a breathtaking view where one can look dow…
Oil, Panel, 8 x 10. This is my second studio study after a sketching trip to Lake Travis at Jonestown, TX. I drove out to study the clouds and worked in value markers and watercolor. In the studio I focused on more of a…
Oil, 9 x 12
Oil, Linen panel, 16 x 20. The first time I wanted to paint this the sky was cloudy, and there was no light and shadow. I painted a small study when I got home and only recently decided to add light to it. That inspired…
Oil, Linen panel, 8 x 10
Oil, Panel, 16 x 20. The Prairie Coneflower is a challenge to paint as an element in the landscape. Its detailed pattern is compelling up close. Its staccato rhythm dances across meadows, but rarely creates a mass of co…
Oil, Canvas, 18 x 24. The Tucson Mountains border the western edge of our city and Pima County preserved 20,000 acres in 1928 to maintain the pristine desert views that we enjoy today. In the evening when I painted this…
Oil, Panel, 18 x 24
Oil, Linen panel, 10 x 8
Oil, linen, 14 x 11
Oil, Linen, 24 x 30
Oil, Linen panel, 9 x 12
Oil, Panel, 9 x 12. This Santa Fe artist's home is part of the Randall Davey Audubon Center and Sanctuary on upper Canyon Road. I happened upon a small group of artists painting on the lawn and decided to join them, eve…
Acrylic, 6 x 8. Any time that I needed a break from the studio, I could step out into my driveway in Tucson and paint this scene. Every day and every hour it was different, not to mention the way it changed throughout t…
Oil, Panel, 16 x 20
Oil, Panel, 12 x 16. A favorite spot on Lake Buchanan, a large lake on the Colorado River in Texas, but only seen by boat. We drove by a sign every time we came to Texas from Arizona for several years that pointed us to…
Oil, Panel, 9 x 12
Oil, Canvas, 20 x 16. I see this mountain from our driveway and paint it on 6 x 8 panels when I need a plein air fix. This time I walked out to the arroyo where I could view it entirely within it's natural habitat, even…
Oil, Panel, 9 x 12
Oil, 9 x 12
Oil, 9 x 12. I painted sketches in watercolor during a trip through the canyon country and worked up oils in the studio later. This one of Delicate Arch is one of my favorites.
Oil, 11 x 14. Every year in the spring, wet or dry, the paloverde burst into bloom. I don't have to travel far to find a good view. Rather than paint them in my driveway, I walk to the wash behind our house where I comp…
Oil, linen, 24 x 30
Oil, Linen, 24 x 30. I've driven by Wilson Arch many times on road trips through southeastern Utah. This summer on my way home from Jackson Hole I drove by one more time, admiring the reflected light under the arch. A f…
Oil, Panel, 16 x 20. I painted this view on a 6 x 8 panel in August of 2005 and recently decided to work it up larger. It was a dramatic day with clouds and cloud shadows changing the view every few minutes. I originall…
giclee, Canvas, 12 x 16. The morning was quite foggy when I arrived and gradually cleared as I painted. I like the high key of lighter colors due to the fog. The original sketch is watercolor painted on location on bris…
Oil, 11 x 14
Oil, Panel, 9 x 12. Clouds in motion hide the moon one moment yet they still illuminate the sky with the translucsent light of the moon. The night seems almost as bright as day, yet the shadows are soft and elusive, and…
Oil, Panel, 28 x 22. While I painted a 6 x 8 study from the parking lot above the Rio Grande Gorge bridge, I stopped every so often to investigate the view from the bridge. Every angle and every moment exhibited differe…
Oil, 24 x 18. Quimper is in Brittany, in the northwest part of France. I painted a small watercolor study while standing on the hillside above town watching the sun set.
Oil, Panel, 16 x 20
Oil, Linen panel, 11 x 14
Oil, Canvas, 20 x 30. I love the vistas from the alpine tundra one finds high in the Rockies. This lake can be seen from the road to Rollins Pass near Winter Park, Colorado. I painted it twice from life before tackling…
Acrylic, Paper, 6 x 8. I painted a quick study in watercolor and wanted to paint it larger. This is an intermediate study to decide how I wanted to crop the falls. Nawadaha Falls is in the Upper Peninsula of Michigan in…
Oil, Panel, 11 x 14. Fall comes late in the southern states. I experienced it in Tucson and now in Austin. This was about the last day I could get out and paint before we lost most of the leaves. It was the first of Dec…
Oil, linen, 30 x 40. Earlier in the day this cloud shape might portend heavy winds and showers of a monsoon summer, but in the evening it yields only one shaft of rain and a gentle spectrum of colors.
Gouache, Paper, 5 x 7. I keep a few sketchbooks going at the same time, so I can work on two images at once without flipping the pages. This is a small book designed for multi-media, but I've been working mostly in wate…
Oil, Panel, 24 x 18. I discovered this Juniper in February when the deciduous trees and vines were dormant. It was a cloudy day, and I painted a small watercolor study on paper, determined to come back later when the su…
Oil, 16 x 20. Based on a smaller field study, this painting gave me the opportunity to emphasize the clouds and cloud shadows across the tops of the mountains and the dramatic light across the desert landscape.
Gouache, Paper, 8 x 10. I keep a few sketchbooks going at the same time, so I can work on two images at once without flipping the pages. This is a small book designed for multi-media, but I've been working mostly in wat…
Oil, Panel, 30 x 36. I don't know how many creeks in Texas carry this name, but it's a good one for any creek rimmed with these stately trees. When I painted the study for this, it was the splash of color across the cre…
Oil, 14 x 18. Painted Desert formations occur throughout the west, not only in The Painted Desert of Arizona. It consists of multicolored layers of badlands, and the patterns of erosion are particularly difficult or ted…
Oil, Canvas, 30 x 40. Our favorite place to visit for many years was Lee's Ferry on the Colorado River near the Marble Canyon bridge. We always camped there and rose with the morning sun. One year I stayed with other ar…
Oil, Panel, 16 x 20. Lingering color of fall left on an overhanging branch of a dominant tree inspired this painting. I painted a watercolor study first, and then the next day a small oil. Each day more leaves fell into…
Watercolor, Paper, 6 x 9
Oil, Panel, 9 x 12. Morning light grazes edges of sandstone cliffs as it makes its way to valley fields and foreground rocks. Light rims the edges of trees, typical of backlight as you look into the sun. The red cliffs…
Watercolor, Paper, 6 x 9
Oil, Panel, 14 x 18. This scene is taken from the top of Wire Road with a little bit of imaginative editing. If you have ever been to Texas you have to love bluebonnets. I thought that I wouldn't need to paint them sinc…
Watercolor, Paper, 6 x 9
Oil, Canvas, 15 x 30. I have always been drawn to the rainbow colors of earth strata wherever I find them. These cliffs near San Ysidro, just north of Albuquerque, have always been a favorite subject for me. This time,…
Oil, Panel, 8 x 10
Watercolor, Paper, 6 x 9
Oil, 14 x 18. I started this from life, painting with my good friend Roger some time ago. I finished it in the studio from slides, before we had digital. Even with digital images that can almost make me feel like I'm lo…
Oil, Panel, 8 x 10
Oil, Canvas, 16 x 20. Sometimes we have snow in March, sometimes we don't, but the winter willows are always a remarkable variety of reds--red orange all the way through the spectrum to red violet. This is as close to t…
Watercolor, 10 x 14
oil and cold wax, Linen panel, 18 x 14. A 6 x 8 study on location and a week of camping on the North Rim of the Grand Canyon inspired this painting. The time is early morning, looking at cliffs near the campground and a…
Watercolor, 5 x 7
Oil, linen, 24 x 48. Mesa Verde was practically in my backyard when I was growing up. It was visible from nearly everywhere in the Montezuma Valley, and I spent two summers working on road and trail crews during my year…
11 x 14. Indian blanket flowers and the purple Gayfeather grow taller and cover up the bluebonnets that have gone to seed. They are also called Firewheels as there are several species of Gaillardia in our meadows and al…
Oil, 12 x 9
Oil, 18 x 24. Petroglyphs are fascinating to me on many levels, but here I'm interested in the contrast of the graphic symbolic image with the traditional illusionistic rendering of space and light. I find more than one…
Oil, Panel, 9 x 12
Oil, 30 x 24
Acrylic, 11 x 14
Oil, Panel, 9 x 12
Acrylic, 6 x 8
Acrylic, 11 x 14
Oil, Canvas, 30 x 30. The colors within the Vermilion Cliffs are much more varied than mere vermilion, a reddish orange. They also contain every earth pigment one can find in artist’s colors, as well as the occasional g…
Oil, 11 x 14. This creek in our neighborhood only runs after a rain, so I rush up the street to see it every time the rain stops. This time the evening sky was glowing yellow and the creek reflected it nicely.
Acrylic, Panel, 8 x 10. There's no better way to see the light than to paint outside. I set this up outdoors when we lived in Tucson, just to explore the light and the medium of acrylic, for a change from painting the l…
Oil, Canvas, 24 x 36. The light changes dramatically on a day like this. Cloud shapes change. Cloud shadows change. Light bounces around everywhere, one moment reflecting back into cliff shadows, the next moment turning…
Oil, Canvas, 16 x 20. It's rare that I paint anything close up like a still life, but it's really good discipline, and I don't worry about the changing light. This one was fun because the strongest light came from behin…
Oil, Canvas, 28 x 22. Colorado river runners often stop to camp on the shores below, one of the few areas that can accommodate more than one campsite. The extra time rewards all who seek unique views like this one above…
Oil, Panel, 16 x 12. This painting was one of my first after experimenting with oil and cold wax medium. I wanted to keep the impression of a field of blue wildflowers without painting each individual flower. The sky an…
Oil, 16 x 20. This rural area is only two miles from our home in Cedar Park. I was inspired by the changing colors of Red Oak, but the free range chickens seem to belong, and by contrast, became the new focal point.
30 x 24
Oil, Canvas, 40 x 30. I looked out over a field of coneflower, Indian blanket and gayfeather, and started snapping photos, some vertical, some horizontal. I walked into the field, around the field, and even set up my eq…
Oil, Canvas, 24 x 36. I had not seen much of the Yampa on my drive into Steamboat Springs from the west, until I came upon this small rise above the river at sunrise. There it was in all its glory inviting one to find a…
Oil, Panel, 8 x 10. I painted my first work after my move to Texas here by the mail boxes on our street. I used watercolor and painted it quickly because I'm not used to the heat and humidity. This was June. Then I pain…
Oil, Canvas, 24 x 30. One summer I spent a week painting in Rocky Mountain National Park. Each day I painted small works in oil, and when I got home, I used some of them as reference for larger paintings. This one is fr…
Oil, Canvas, 22 x 28. North of Taos, New Mexico, one can drive up or down the Hondo Valley. Driving down the valley towards the Rio Grande, I found this view overlooking the valley from a hilltop. Cumulus clouds built u…
Oil, Panel, 6 x 10. Graysill Mountain is near the headwaters of the Dolores River in Southwest Colorado. One year some time ago, I painted all around this area on location and tried painting this in a realistic style, b…
Oil, 11 x 14. The Indian Blanketflower were really profuse this year all over the Hill Country. We planted them when we lived in New Mexico and always liked them. I found these on the roadside during one of our many tri…
Oil, 8 x 10. I start this kind of painting with a loosely constructed grid and begin making shapes that quickly become symbols for landscape elements I love. Sometimes I start with a specific image like this cactus flow…
Acrylic, 18 x 24
Oil, 11 x 14. I've painted several pairs of abstract images like this one. I could easily paint more of them, but feel compelled after a while to return to my established traditional style. These are like therapy for me…
Oil, Linen, 40 x 40. Periodically I look through old sketchbooks and find ideas unresolved. I had even stretched a large canvas for this sketch. Notes on my sketch indicated that I had explored this idea after a visit t…
Oil, Panel, 12 x 12. This is the sort of image that comes out of my head when I just start painting shapes and colors. It's based on my memories of growing up in the southwest where mesas dominate the landscape. Other a…
Oil, Panel, 11 x 14. I started this painting with the idea of turquoise, the color and the stone. The step designs always remind me of mesas where turquoise was a major trade item, and I just started building shapes and…
Oil, linen, 24 x 36. The light on the Sycamore against spring morning shadows catches my eye. The color in the major trunks is strong and powerful, but the lacy quality of the smaller branches and the grace notes of lea…
16 x 20. It’s hard not to think of flying when you’re at the top of this mountain. It’s a bird’s eye view. The challenge for me is to complement the distance with just the right amount of foreground.
Oil, Linen panel, 16 x 12. I did this painting when we lived in Tucson. I've always been drawn to skies and clouds, and this has been in my personal collection as a reminder of the beauty of clouds.
Oil, Panel, 9 x 12. I didn't notice the bushes surrounding the juniper until they started changing color and I saw the berries on them. The winterfat surrounding them is a nice color note in contrast to the golden grass…
Oil, Canvas panel, 8 x 10. I usually look for broader views, but these wildflowers really caught the light, and my attention, set against the dark shadows of juniper behind them.
Oil, 9 x 12. Caprock Canyon located along the eastern edge of the Llano Estacado is approximately 100 miles southeast of Amarillo,Texas. It is similar in geology to Palo Duro Canyon to the north and reminds me of the fo…
Acrylic, Panel, 12 x 16. As fascinating and unique these formations in Chiricahua National Monument can be, I find them quite difficult to paint. When photographed, every strange shape seems to jump out and assault the…
Oil, 9 x 12
Oil, Canvas, 30 x 30. I painted a smaller study on location north of Sedona, Arizona some time ago. This is a studio painting where I could focus attention on the sunlight striking the dead branches. I always felt that…
Oil, Canvas, 30 x 40. We rode horseback down Monument Canyon to reach this spectacular view of Spider Rock in the upper reaches of Canyon De Chelly on the Navajo reservation in northeastern Arizona. I painted it without…
Oil, Panel, 12 x 16. Painted after a field study several years ago, this one includes the entire butte at sunrise when the colors are intensely red orange. When I was growing up in the four corners area of Colorado, we…
Oil, Linen panel, 11 x 14. On a March day in 2014 the temperature was 86 degrees, quite warm considering that it had frozen the water hoses to our camping trailer. Nevertheless I hiked the 2.2 miles out with backpack an…
Oil, Linen panel, 8 x 10. I painted several of this subject along the ditch bank near my home in the North Valley of Albuquerque. Each one was slightly different as I set up in different places trying to find the best p…
Oil, Canvas panel, 8 x 10. I painted this last summer during the Lavender Festival in Los Ranchos de Albuquerque. There were lots of people moving through my field of vision, so I used a palette knife and simple brushst…
Oil, Canvas panel, 10 x 8. I had been watching and photographing the sunrises for days when I finally decided to go out and paint it from life. It's always a challenge as the colors change so quickly, but these were goo…
Oil, Panel, 16 x 28. Years ago on a painting trip west of Albuquerque, I stopped at the rest stop overlooking Laguna Pueblo and dashed out a quick sketch in ink and watercolor. Back in the studio I started this painting…
Oil, 9 x 12
Oil, Linen panel, 12 x 16
Oil, 9 x 12
8 x 10. Red Cliffs of Oak Creek Canyon near Sedona, Arizona contrast nicely with fresh snow. I painted it loosely, trying to catch the essence of the scene.
Oil, 11 x 14
Oil, Canvas panel, 10 x 8. I painted this while waiting for the moonrise. I had hoped to make color notes of the sky as the moon came over the mountain, but even though I finished this at the time of the moonrise, it di…
Oil, Linen panel, 14 x 11
Oil, Panel, 14 x 18. Painted on location some time in the 1990's, this cottonwood survived the lack of water when the alfalfa fields were abandoned, but it did not survive the construction of new homes on the west side…
Oil, Panel, 14 x 18. When I started painting "Plein Air," I really just went outside to study painting from life. We called them field studies then, because they were often used in the studio for larger paintings. When…
Oil, Linen panel, 12 x 16. I have been exploring my new neighborhood in the North Valley of Albuquerque, NM and found this great cottonwood and older adobe abode within walking distance of my home. I went out several da…
Oil, Canvas panel, 8 x 10. I have been exploring the many places that I used to paint in Albuquerque since returning here this spring. La Cueva picnic area was built by the WPA and has always been one of my favorite are…
Oil, Linen panel, 8 x 10. I painted this on a recent trip to New Mexico from Coronado Campground in Bernalillo. I had painted here when it was open to the public many years ago without restrictions, and it was good to b…
Oil, Linen panel, 11 x 14
Watercolor, Paper, 6 x 9. This is one of the watercolors that I did on our trip to France in 2003. It is available as a print on demand.
Oil, Linen panel, 12 x 16
Oil, Linen panel, 9 x 12
Oil, Linen panel, 12 x 16. I've driven this road many times in my lifetime, making it one of our fall color drives for years as I was growing up and even after we moved to Albuquerque. It's much farther from Texas, but…
Oil, Linen, 28 x 22. Spring runoff in the Jemez can be quite spectacular if there has been enough snow during the winter months. Sometimes there is very little, and the river is quite small. Some might even prefer to ca…
Oil, Panel, 12 x 16. Growing up near here in Southwestern Colorado, I've found the view hypnotic and rarely fail to stop for pictures when I drive by. The lighting is always different, and I've painted several interpret…
Oil, Panel, 12 x 24. When I started the original field study for this in 1985, I was torn between the beauty of the storm, the beauty of the meadows, and the beauty of the wildflowers, Indian Paintbrush, yellow daisies…
Oil, Panel, 12 x 16. I started this painting on location in 1985, worked on it a little when I got back to the studio, and then shelved it for all these years. I can still feel the emotion of the work from that time, bu…
Oil, 9 x 12
Oil, Panel, 12 x 16
Oil, Panel, 16 x 12. The Kaibab Limestone that is so prominent in the foreground is fun to contrast with the blue shadows across the canyon. The Grand Canyon is always inspiring.
Watercolor, Paper, 6 x 9
Watercolor, Paper, 6 x 9
Oil, Panel, 12 x 16
Oil, Linen panel, 12 x 16. Like many of my subjects, I painted this first in watercolor on location. It was a warm day in the high 80's, so I stayed in the shadow of a large rock which limited my perspective somewhat. I…
Oil, Panel, 28 x 22. I painted this in the studio after a camping trip to Arizona. My reference was a small watercolor sketch and photos I took while spending the day at Sunny Flats Campground on Cave Creek in the Chiri…
Oil, Linen, 30 x 40 x 2. North Rim view of the Grand Canyon near the campground. My first view of the Grand Canyon was from the campground with my family when I was a child. Years later, I have painted the canyon from m…
Watercolor, Paper, 9 x 6
Oil, Canvas, 18 x 24. The glow of morning sunlight silhouetting this solitary cactus in the was near our house called out to me day after day until I could no longer resist an attempt at capturing it on canvas. I set up…
Oil, 12 x 16
Oil, 16 x 20. Along the Rim Drive in Colorado National Monument, I watched the cloud shadows move until this formation was lit up more than the rest. I love painting this subject matter, having spent my younger years in…
Oil, Panel, 12 x 16. Not far from the visitor center in Canyonlands National Park we find the Shafer Canyon Overlook. One can look down at the winding jeep road miners built during the uranium boom. As fascinating as th…
Oil, Canvas panel, 12 x 16. It's hard not to stop at the rest stop here on I-40 near the AZ/NM border. I've traveled both directions many times, and never had time to stop and paint, but I've taken lots of pictures and…
Oil, Linen panel, 11 x 14
Oil, Canvas, 18 x 24. I've looked at this painting for a few years now in my studio and recently decided it needed more drama, so I painted this storm over the cliffs on the left to push them back and contrast with the…
Oil, Canvas, 16 x 20
Oil, Canvas panel, 8 x 6
Oil, Canvas, 18 x 24
12 x 16
Oil, 11 x 14
Oil, 14 x 18. Looking down the Colorado River near the confluence of the Little Colorado, the river runs red, like it used to, this time from a recent storm. A group of us painted for several days at this site. This is…
Acrylic, Panel, 8 x 10. This painting was done on location in Sabino Canyon, Tucson, Arizona.
Oil, Canvas panel, 12 x 16. We lived in Prescott, AZ years ago, and I painted this mountain numerous times, but never this exact view. On a recent trip to visit friends in the area, we camped in the forest and woke up t…
Oil, 9 x 12
12 x 16. The bright colors of autumn along this creek on the Camp Bird Road out of Ouray, Colorado are nearly overwhelming. They are the colors I remember from my youth, and the colors we look forward to each year. Like…
9 x 12
Oil, Panel, 12 x 16. My last three paintings have focused on water. I'm learning more about how to paint it, and this painting is a revision of one I painted several years ago. I thought I could express myself by painti…
Oil, Panel, 14 x 11. Painting in the Tetons I'm almost always drawn to the mountains, but after painting them day after day one summer it felt good to sit by the creek and just study the water. Looking past small bushes…
Oil, Panel, 8 x 10. Painted on location in Rocky Mountain National Park.
Oil, 16 x 20. While waiting for the sun to set, I busied myself sketching a painting a small watercolor of gray skies and neutral tints in the desert foreground. As the light changed I jumped up to take pictures, clearl…
Acrylic, 11 x 14
Oil, 12 x 16
Oil, 11 x 14
Oil, 12 x 16. I stopped to paint here last summer because my friends were set up painting here, and it was in the shade on a hot summer day! There are so many great views in Monument Valley that it's hard to decide wher…
Oil, 12 x 9. I painted this from a pencil sketch done on the trail up Santa Elena Canyon in Big Bend National Park this spring. I was testing my memory and experimenting with textures.
Oil, Panel, 12 x 16. Throughout the years I have been drawn to paint historic New Mexico churches and missions. Because this one has been painted so often by so many others, I had avoided it until recently, but finally…
Oil, linen, 18 x 12. This is an earlier work from 1996 after visiting Bryce National Park and hiking the trails through the hoodoos. I was fascinated with the power of reflected light in the narrow passages and wanted t…
Oil, 12 x 9
Oil, Panel, 30 x 30. I never failed to stop at this spot on the many trips through Salt River Canyon on my way from Tucson to Colorado or New Mexico, yet I never had time to paint as the drive took most of the day. Ther…
Oil, Panel, 14 x 11. There is one overlook with lots of parking at the top of the road through Salt River Canyon in Arizona where I always stop to take pictures, but I've made the trip so many times that I looked for ot…
Acrylic, Linen panel, 11 x 14. This is the second interpretation of this scene that I painted from a watercolor sketch and photos. Each time I tried to capture the essence of being there as well as the essence of the wa…
Acrylic, Linen panel, 11 x 14
Acrylic, Linen panel, 11 x 14
Oil, Panel, 8 x 10. Until quite recently this type of wagon was the summer home for sheep herders in the high country of the Rocky Mountains. Sheep grazing permits are not longer issued in our National Forests, so this…
Oil, 11 x 14
Oil, Canvas, 24 x 18. Summer days among the aspen provoke fond memories. The deep blue shadow of the hillside across the valley sets off the aspen white in shadow like a jewel. The late afternoon sunlight filters throug…
Oil, 11 x 14
Oil, 12 x 18
14 x 18
Oil, Canvas, 24 x 24. Modern roads often follow older paths of the native populations that blazed the trails initially. Trail Ridge Road in Colorado is one of the highest paved roads. Here it crosses the old Ute Trail a…
Oil, 11 x 14. The Lupine are beautiful in season. In Texas, our season is generally in April, and the particular species along the roadsides has white tops that make them distinctive. I've painted lupine in Colorado lik…
Oil, Panel, 10 x 8. This painting was done in the studio from an original watercolor done on location in Yosemite National Park.
Oil, Panel, 10 x 8. This painting was done in the studio from an original watercolor done on location at Yosemite National Park.
Oil, 11 x 14
Oil, 14 x 11. I started this from life in 2013 at Grand Teton National Park. I was challenged by the log dams as the lake turned back into a stream. I've edited it several times since then and recently decided that I ha…
Watercolor, Paper, 14 x 16. This painting is acrylic on paper, a mix of transparent and opaque techniques. The mesas are near the New Mexico--Colorado border in the Four Corners area, the place I still call home. This p…
Oil, 16 x 20
Oil, 9 x 12
Oil, 11 x 14
Oil, 9 x 12
Oil, Panel, 8 x 10. This painting is a part of the Chama River in northern New Mexico between Ghost Ranch and the Monastery of the Desert.
Oil, Canvas, 16 x 20. There are several places along the Rio Grande on the way to Taos where one can pull over for fishing access or simply to watch the kayaks and rafts navigate the rapids. Or one can stop and paint! I…
Oil, 16 x 20
Oil, 22 x 28. I started looking for the Old Midland Line when I saw paintings by Charles Partridge Adams who painted along the narrow guage railroad lines in 1900, the same way we are inclined to paint along the highway…
Oil, 11 x 14. Inspired by Charles Partridge Adams, who traveled by rail and painted Colorado at the turn of the twentieth century, I made numerous trips along the old Midland Railroad trail until I finally caught the ev…
Oil, 8 x 10
Oil, Panel, 9 x 12
Oil, 16 x 20. This is the same view that I painted years ago after one of my first visits to the Grand Canyon. Who could resist the idea of following that trail out to the end of Plateau Point? My first attempt at paint…
Oil, 9 x 12
Oil, 20 x 16
Oil, Panel, 6 x 8. This desert view from Tohono Chul Park in Tucson has lots of texture and native cactus, thorny mesquite. and paloverde. I chose to focus on the patterns of color and atmosphere. Perhaps one day I will…
Oil, 9 x 12. This was my last painting before the show at Grand Teton National Park the weekend of July 14 & 15, 2012. It was a beautiful day and a wonderful week of painting. It was fun learning the anatomy of a mounta…
Oil, 9 x 12
Oil, Panel, 8 x 10. This painting was done near the ski resort in Crested Butte, Colorado.
Oil, 9 x 12. It's hard to drive through Yellowstone National Park without stopping to see the many pools of thermal waters. The colors are jewel like and fun to capture in paint.
Oil, 11 x 14
Oil, 9 x 12
Oil, Panel, 8 x 10. This painting was done on location in Grand Teton National Park.
Oil, 12 x 16
Oil, Canvas, 32 x 48. Early morning light rakes across the ridge line at Rocky Mountain National Park. One has to look twice to see the sequence of lakes hidden among the shadows.
Oil, Canvas, 30 x 40. When I painted the field study I only saw moments of sunlight on the near grasses and trees while the mountain seemed to hold the sun. Every time I looked up from my palette I saw variation of gray…
Oil, 12 x 16
Oil, Canvas, 16 x 20. It’s always a challenge in summer to find color to contrast with the dominance of greens. The mountain above timberline glimmers almost as if it were still covered with snow. Atmospheric perspectiv…
Oil, Panel, 8 x 10. This painting was done on location outside of Crested Butte, Colorado.
Oil, 12 x 16
Oil, Canvas, 11 x 14. We talked to the rancher that owned this place as he was cutting grass with a Swiss army knife to feed the cow and calf he had just corralled. He told us that he, like most people who settled in th…
Oil, Panel, 10 x 8. This painting was done from an original watercolor done on location near Olympic National Park.
Oil, Panel, 8 x 10. This painting was done on location in Grand Teton National Park.
Oil, 9 x 12
Oil, Panel, 8 x 10. This painting was done on location at Grand Teton National Park.
Oil, Panel, 11 x 14. Partly cloudy skies with little chance of rain promise a good harvest and nutritious winter feed for livestock. It leaves the mind free for other daydreams as well.
Oil, 9 x 12
Oil, 11 x 14
Oil, Panel, 8 x 10. Painted on location in the area of Winter Park, Colorado.
Oil, 11 x 14
Oil, Panel, 6 x 8
Oil, Panel, 8 x 10. I painted this for a quick draw event in Pagosa Springs, Colorado a few years back. I stood on a pedestrian foot bridge along with several other painters, all focused on their own visions. My idea wa…
Oil, Panel, 8 x 10. This painting was done in the studio from a This painting was done on location in Rocky Mountain National Park.
Oil, 9 x 12. Zion National Park in southwestern Utah offers nearly unlimited subject matter with many memorable landmark formations. I'm always drawn to this one near the visitor center, and I eventually want to paint a…
Oil, 9 x 12
Oil, Canvas, 24 x 36. I started painting the Grand Canyon in 1984 after we moved to Prescott, Arizona, only a few hours away from the South Rim. It requires a lot of study, of geology as well as color and value control,…
Oil, Canvas, 30 x 40. Often the south rim views of the Grand Canyon are obscured by trees or protected by pipe rails and chain link fencing along the precarious cliff edges. It's great to get such a view with an expanse…
Oil, Linen panel, 11 x 14. I painted this in the studio from a field study. The location is in New Mexico, south of Grants on the edge of the El Malpais National Monument. The Official name is La Ventana Natural Arch an…
Oil, Panel, 14 x 11. This is a plein air piece I painted in Catalina State Park near Tucson. This native deciduous tree is a welcome contrast to the thorny and prickly natives that are most prominent in the Sonoran dese…
Oil, Canvas, 11 x 14
Oil, 18 x 24. I’ve driven by this homestead for more than 40 years and have seen remarkably little change. I’ve stopped to take pictures but never felt comfortable with a visual idea that I thought could carry the image…
Oil, Panel, 11 x 14. When I paint on site I often find it difficult to focus on one idea with the light changing all around me. The reflected light on cliffs around the bend of the Colorado River in Marble Canyon glowed…
Oil, Canvas, 40 x 50. Resisting the temptation to photograph this scene at Canyon de Chelly one winter morning, I set up the easel to paint, capturing colors on a 9 x 12 panel that my camera did not. Even in winter the…
Oil, Canvas, 11 x 14
Oil, Canvas, 11 x 14. I sat under an umbrella to paint this. The sun was nearly unbearable. I finished at high noon, and the temperature read 102 degrees fahrenheit, but the painting is a more reliable record of my expe…
6 x 8
Oil, 9 x 12
Acrylic, Panel, 6 x 8
Oil, Panel, 9 x 12. Those distant mountains always look blue as long as there is scattered blue light somewhere in the atmosphere. I made them my focal point in this painting in contrast to the warm yellows and gray ski…
Oil, Panel, 11 x 14. I got a lot of mileage out of this view near Cedar Grove, north of Edgewood, NM where I’ve been teaching workshops several times a year. The light changes all day long and the color changes with the…
Oil, Canvas, 24 x 36. This is the largest painting I did this year on this theme, and I did it using only two colors plus white. The tube colors used are Ultramarine Blue and Raw Sienna. I premixed eight colors from tho…
Oil, 11 x 14. This is painted from the site of the old Midland Station on the Colorado Midland Railroad just up on the hill above Buena Vista, Colorado. I was inspired to look for the site when I saw a painting of Mount…
Oil, Panel, 6 x 8
Oil, Canvas, 12 x 16. It always surprises me how red the grasses look when they have gone to seed and the light is behind them. The grasses are still dried yellow, and I see hints of green among them, but the seed heads…
6 x 8. The morning sunlight was quite dramatic until I set up to paint. Since I was stressing different kinds of light to my workshop students, I chose to paint this in the diffused light of a cloudy sky. I will paint i…
Oil, 9 x 12
Oil, Panel, 6 x 8
16 x 8. This is the same painting posted with my August 2011 newsletter (see link to past issues on the email newsletter page). The subject was backlit with a storm threatening from the other side of the mountain. I cou…
Oil, Panel, 18 x 14
Oil, 30 x 40
Oil, 9 x 12
Oil, 12 x 16
Oil, Canvas, 30 x 48. This view from the south rim of Canyon de Chelly looks west in the early morning light of summer.
Oil, Panel, 12 x 16
Oil, Panel, 12 x 16